The grain of the sassafras wood I'm using makes it a little tougher to get smooth. Joe, a guy who's also making a fiddle, is using soft maple. He smugly sits across from me and proceeds to cut it like hot butter. However, I seem to gravitate toward challenges. (I mean, look at my choice in husbands. Haha...just kidding Marden.) I've learned a lot by watching Joe, though. #1) Always listen to Violet, because if you don't you end up putting a hole in your fiddle back, cutting the wrong end off your finger board, nearly putting a hole through the fiddle top, making your sound holes too big, and a myriad of other issues encountered by not listening. #2), Always measure multiple times, and have Violet check your work BEFORE you glue. #3) is to pretty much do the opposite of what Joe is doing. While he's a super-nice guy, he is the proverbial bull in the china closet. He'll get his fiddle done, though...and we'll both learn a lot in the process.
After what felt like years of scraping and sanding (and tons of sawdust boogers), I was FINALLY able to cut the sound holes. It took me a good 30 minutes to actually draw them on, then a full hour to screw up the nerve to actually make a cut. Violet does her sound holes with a drill press, but I wisely chickened out and chose to start mine with a tiny hand drill, then (remembering Joe) slowly expand the holes with a well-worn but very sharp pocket knife.
That's it for now! Stay tuned for further updates.
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